'It doesn’t matter which part of the country makes a film,' says Vikram Hitlist star Kamal Haasan

The actor answers a volley of questions during the press conference of his upcoming film

Lipika VarmaUpdated: Saturday, May 28, 2022, 10:04 PM IST
article-image
All pics: Viral Bhayani

The press conference of Kamal Haasan’s upcoming film Vikram Hitlist was held in Mumbai on May 28. Kamal and Pen Audio’s head honcho Dr. Jayantilal Gada were in attendance. Raaj Kamal Films International’s Vikram Hitlist is helmed by Lokesh Kanagaraj. It also stars Vijay Sethupathi and Fahadh Faasil. It will release on June 3. Kamal answered numerous media queries.

Kamal Haasan with Dr. Jayantilal Gada

When asked about pan-India films, Kamal says, “It doesn’t matter which part of the country makes a film. We learned how to make big films like Mughal-E-Azam and Sholay. It was so big that Tamil and Malayalam films couldn’t afford a film like that. We just saw them. Mughal-E-Azam is not only intelligent, but K Asif had the guts to make it. He made it for years. It doesn’t matter what genre it is.”

The art of being relevant over the years has seen a lot of changes. When asked about the challenges he faced, Kamal shares, “I never went to any university, so when I speak English is what I learned out of school. I am always nervous, and I go back and check. Those days you didn’t have Wikipedia to check. The most important thing is if you want to know what the magic word is, it’s because I am a film buff. Thanks to OTT, I enjoy my life better because I go back to watch my old films and those films that I enjoyed the most. We don’t realise the kind of values we have within ourselves. We make fun of our films and say, ‘Dekho West mein kya films bante hai!’ They also make silly films continuously. Compare our best with their best, and then you will see.”

Elaborating further, he adds, “When I was recommending OTT, the exhibitors were worried. I didn’t know how to convince them. They were worried even when the satellite channel came and told them that it would become another branch of head office called film images. I couldn’t convince them. Now they realise the only way I can say I am not a great believer, but I do believe in change, so I told them in a language you would understand.”

There is a huge acceptance of South films today in the Hindi belt. When quizzed about what has changed, Kamal explains, “Nothing has changed. We have forgotten Sholay. Some Tamil filmmakers never wanted to allow these films to come here. We will not be able to make such films, so they were of the opinion why should we allow them to come. Instead of saying we can make such films. I wanted to become a director and not an actor. I don’t speak the language, but cinema spoke to me. It doesn’t matter whether it is Mughal-E-Azam, Achanak (1973) or even Padosan. It touches my heart. The kind of films I make at one time is Virasat, and another time it’s Chachi 420. Simply, because I’m influenced by that kind of cinema. Nothing has changed except the audience with the new experience and forgetting older movies.”

(To receive our E-paper on whatsapp daily, please click here. To receive it on Telegram, please click here. We permit sharing of the paper's PDF on WhatsApp and other social media platforms.)

RECENT STORIES

Maharashtra Assembly: NCP's Ajit Pawar elected as Leader of opposition

Maharashtra Assembly: NCP's Ajit Pawar elected as Leader of opposition

Maharashtra: Congress high command unhappy over absence of 11 MLAs during trust vote

Maharashtra: Congress high command unhappy over absence of 11 MLAs during trust vote

‘It’s the ED govt’: Devendra Fadnavis adopts oppn jibe as Eknath Shinde comfortably wins trust...

‘It’s the ED govt’: Devendra Fadnavis adopts oppn jibe as Eknath Shinde comfortably wins trust...

This Palghar village takes lead, forbids widowhood rituals

This Palghar village takes lead, forbids widowhood rituals

Panvel: Police impose section 144 near waterfalls, put up notices board

Panvel: Police impose section 144 near waterfalls, put up notices board