Mumbai: The Maharashtra state council witnessed an unusual and lively debate on Wednesday as members turned their attention to a rather creative topic: the portrayal of politicians in cinema. The issue came up during a calling attention motion raised by BJP member Dr Parinay Phuke, who expressed concern over what he described as the “negative portrayal of political leaders” in Indian films.
Responding to the motion, Cultural Affairs Minister Ashish Shelar acknowledged the long history of films, both Marathi and Hindi, showcasing politicians in various lights, sometimes critical, sometimes praiseworthy. He was clear in stating that while political characters often reflect uncomfortable truths, there will be no additional restrictions or censorship imposed by the government beyond the jurisdiction of the Central Board of Film Certification (CBFC).
Shelar said cinema has always mirrored society. Characters in films are sometimes exaggerated, but they also speak to the realities of the time. He highlighted how Marathi cinema of the 1960s and 70s often featured rugged and cunning politicians. Notable actors like Nilu Phule and Rajshekhar brought these roles to life in classics such as ‘Saamna’ and ‘Sinhasan’, both known for their intense political storytelling.
The Minister pointed out that while negative portrayals are common, the spectrum of political characters in cinema is broad. Recent films like ‘The Kashmir Files’, ‘The Kerala Story’, ‘The Accidental Prime Minister’, ‘Emergency’, and ‘The Tashkent Files’ have sparked public conversation by offering strong political narratives.
On the other hand, cinema has not shied away from highlighting political figures in a positive light. Shelar cited ‘Aajcha Divas Majha’ (2013), in which the Chief Minister of Maharashtra helps an elderly artist obtain government housing, showcasing leadership that is empathetic and actionoriented.
Negative portrayals, too, remain a staple of popular cinema. In ‘Singham’ (2011), Prakash Raj’s character Jaykant Shikre openly breaks political norms. Similarly, films like ‘Nayak’ (2001), ‘Raajneeti’ (2010), ‘Sarkar’ (2005), and ‘Jaudya Na Balasaheb’ (2016) delve deep into the power plays, corruption, and personal complexities that define political life.
