Title: Love Lies Bleeding
Director: Rose Glass
Cast: Kristen Stewart, Katy M. O’Brian, Ed Harris, Jena Malone, Anna Baryshnikov, Dave Franco, Eldon Jones, Catherine Haun, Orion Carrington, Matthew Blood-Smyth, Keith Jardine
Where: In Theatres
Rating: ***
Love Lies Bleeding takes audiences on a noir-infused journey into the heart of rural grunge Nevada, where love, lust, and crime intertwine in a slow-burning narrative set against the backdrop of 1989. Directed by Rose Glass, known for her work on Saint Maud (2019), this film delivers a stylish yet daring exploration of queer romance, psychological drama, and neo-noir characters.
Kristen Stewart leads the charge as Lou, a gritty manager at a warehouse gym, whose life suddenly turns when she encounters the enigmatic bodybuilder, Jackie, portrayed by Katy O’Brian. Stewart's portrayal of Lou, with her lank hair and desperate demeanour, infuses the film with a raw vulnerability that grounds the narrative. Meanwhile, O’Brian embodies Jackie's physical strength and allure, setting the stage for a complex relationship that blurs the lines between love and lust.
Against the dusty landscapes, the film unfolds at a deliberate pace, evoking the atmosphere of classic thrillers while injecting a contemporary sensibility. The chemistry between Stewart and O’Brian crackles with intensity, drawing viewers deeper into their tumultuous attraction amidst a world of sex, murder, and female bodybuilding.
The film pushes the boundaries of traditional noir storytelling while delving into the realm of ultra-violence and gonzo twists. It takes bold risks, particularly in its narrative choices towards the final act, which may not resonate with all audiences. While some may find the sudden shift in tone absurd, others may appreciate the film's audacious approach to subverting genre conventions.
In addition to the compelling performances of Kristen Stewart and Katy O’Brian, the film features a talented ensemble cast that enriches the narrative with their nuanced portrayals.
Jena Malone, as Lou's sister, Beth, brings depth to the complexities of their relationship. Malone infuses Beth with a blend of vulnerability and resilience, highlighting the character's struggles.
Ed Harris commands the screen as Lou Sr., portraying a menacing yet enigmatic figure with a fringe of wispy long hair and a furrowed face. Harris imbues Lou Sr. with a sense of authority and menace, adding a layer of tension to the film's suspenseful moments.
Supporting performances from Anna Baryshnikov as the seductive Daisy and Dave Franco as Beth’s husband, the sleazy JJ, further round out the ensemble, contributing to the film's rich tapestry of characters and relationships.
Yet, for all its stylistic flair and standout performances, the film is not without its flaws. With the lapses in realism, questionable character motivations, and particularly in its depiction of crime scenes and law enforcement procedures, the audience is sure to nit-pick on these. Furthermore, the experimental ending too will spark a conversation of disagreement, with some arguing that it disrupts the overall narrative coherence.
Despite these criticisms, this film remains an intriguing addition to the neo-noir genre, offering a captivating blend of pulpy thrills and emotional depth. Director Rose Glass demonstrates a keen eye for visual storytelling, infusing each frame with a sense of atmospheric tension and intrigue.
In the end, this film may not satisfy everyone's expectations, but it undeniably leaves a lasting impression with its bold storytelling and memorable performances. As the credits roll, you are left to ponder the boundaries of love, desire, and the darkness that lies within us all.
