FICCI FRAMES 2026: Ayushmann Khurrana, Rasika Duggal & Mukesh Chhabra On Stardom, Authenticity & Children's Content
At FICCI FRAMES, Ayushmann Khurrana said authentic stories can find audiences and that scripts, rather than stardom, are increasingly driving cinema. Rasika Dugal discussed balancing authenticity with accessibility, while casting director Mukesh Chhabra stressed the importance of real talent and noted the lack of content aimed at children.

Ayushmann Khurrana |
During a panel discussion titled 'Cinema at Crossroads - The Rules of the Big Screen' actor Ayushmann Khurrana, who is also the FICCI FRAMES Ambassador, opened up on theatrical cinema navigating changing audience preferences, evolving economics and
the rise of streaming, basically, how the rules of the big screen are being rewritten.
"I’ve always believed that one story, one good story, can start a conversation, and one conversation can create change. I think if the story is authentic it will find an audience. And as far as stardom is concerned, it's relative. It used to be an exclusive club before, bit not anymore. Right now the script is the star. and stardom is relative. It's never one size fits all, as you always come across different kind of people, I, for example, like interacting with people because I come from the background of being an RJ. But there may be another star, who maybe completely reticent, will not talk to media, and isnt approachable," Khurrama said.
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Rasika Duggal, riding high on the success of Mirzapur The Movie, spoke on the panel, The Next Big Story: What audiences want, what creators are imagining and how bold programming choices are shaping what comes next.
"The tough choice always is authenticity versus accessibility, and that's one thing that we constantly struggle with as writers, directors and actors. For example, I shot a film in Kashmir called Hamid, and I struggled for a long time to understand how to speak in the film, because the film was in Hindi, which is why everyone speaks it differently. So these are difficult creative choices when you're trying to be as authentic to the material as possible. So you've already made one creative decision that if you're going to keep it in Hindi, then you' already sort of making it more accessible to an audience, but compromising on the authenticity of it anyway. Or by casting somebody who is not actually Kashmiri, you're already compromising," Rasika explained.
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The same panel had the current badshah of casting, Mukesh Chhabra, who spoke on the profession of casting. "A casting director can only work if you have a great story. My target is to cast real people and real talent so that we can relate to that talent. Thank God there are so many talented people in the country, because of which I don't have to run after popular stars," Mukesh said.
The moment that probably stayed the most with the audience was probably what Mukesh mentioned towards the end, about how ITT seems to be playing mostly to the adults, while for kids there are hardly any shows. "Even Single Papa is about the papa, not about the kids," he said.
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