Raigad : Some 35 years ago, a sleepy, little village in Khalapur, five kms from Khopoli on the old Mumbai-Pune national highway, would magically come alive at dusk, Cinderella-like.
The narrow streets would be jammed with fancy cars and motorbikes honking for space. Revellers from Mumbai, Pune, Nashik and even Goa came there to spend some happy hours at its famed dance bars.
The first such dance bar, considered the best and the biggest attraction, was ‘Baywatch’ — popular long before the American teleserial by the same name in the 1990s.
The dancers, girls/women aged 15-35, were transported from pre-determined locations in Mumbai, Thane and other places in airconditoned deluxe buses to Khalapur by dusk, when all the fun started.
The patrons were mostly youth or wealthy businessmen, tourists, both domestic and international, who enjoyed an “interactive” session with the dancers by showering them with money or ‘garlands’ of currency notes of various denominations, occasionally going up to Rs 1,000 notes for special dancers.
Then on Independence Day in 2005, the Maharashtra government struck like lightning banning them, forcing the colourful dance bars to become silent and barren.
At one stroke, an estimated 12 lakh dancers in the 2,800 legal, and as many unauthorized dance bars, mainly in Mumbai, Thane, Navi Mumbai, Raigad, Pune and the state highways, besides a few lakhs of supporting staff and thriving allied business, were thrown onto the streets.
At its height, some of the top-notch dancers prospered, and some like the enchanting Tarannum, were raided by the income tax department loosening up lakhs of rupees as tax.
Often, top-end dancers arrived at work in their deluxe chauffeured vehicles, private armed security and even a secretary to collect the raining currency notes showered on them by delirious patron-fans.
However, for a majority of the rest, their plight was similar to what was shown in ‘Chandni Bar’, the 2001 national award-winning movie with the central theme of dance bars.
At Khalapur village, some 500-700 ‘outside girls’ were seen coming daily for the evening. Although the business brought obvious prosperity to the locals, some from the predominantly farming community raised objections, saying the business was against local traditions and culture. There were also charges of prostitution thrown at dance bars.
Eventually, such objections found echo among politicians. The then home minister of Maharashtra, the late RR Patil ordered that the bars be shut down. The once enticing village, luring patrons from the highway with its colourful fairylights, was reduced to a dark, decrepit locality, shunned by one and all.
It took the courts more than 10 years to restore the business. Although the state government says it will move a review petition, the Supreme Court’s Thursday decision was welcomed by the hotel industry and the dancers’ association.
Adarsh Shetty, president of the Indian Hotels & Restaurants Association, which had challenged the ban in the court, urged the government not to consider dance bars as a social evil but as an opportunity to attract tourism revenue to the city and state.
“Look at the vibrant night life places like Bangkok, Shanghai or Istanbul and other cities worldwide offer. What does Mumbai have for tourists, barring local sight-seeing and good food? After that nothing,” Shetty said.
He alleged that though hundreds of restaurants had applied for licences, the Mumbai Police sat on them for years though they collected all types of revenues from the hoteliers.
Womanist Party of India founder Varsha Kale, who spearheaded the cause of the thousands of dancers rendered unemployed, is hopeful the state government will not challenge the latest Supreme Court relief.
However, the apex court has also made it clear that the dance performances should not be remotely explicit or show any kind of obscenity. Perhaps a middle path can be found by the two sides. IANS
