Nida Fazli the poet who transcends barriers

Nida Fazli the poet who transcends barriers

FPJ BureauUpdated: Friday, May 31, 2019, 06:18 PM IST
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New Delhi : Lovers of Urdu poetry are a bereaved lot. The loss of Nida Fazli, whose verses have echoed in the immortal voice of Jagjit Singh for decades now, comes as a big blow. Incidentally, he passed away on the birth anniversary of Jagjit Singh.

Indeed, for the larger world of Urdu literature, this is the second shock in recent times, as a few days ago Intizar Husain, the Basti born writer who understood the tragedy of partition the best, passed away in Lahore.

However, whether it was ‘Fazlisaab’ or ‘Husainsaab’, both had imbibed the ancient Indian tradition into their creativity and had the talent to make connections that transcended the barriers of time and distance. You just have to read the short stories based on the ‘Jataka’ tales that have been created by Husainsaab and remember that nearly 20 years ago Jagjit rendered these Kabiresque dohas from Fazlisaab in an album that was poetically titled ‘Insight’.

Main roya pardes mein, bheegaa maan kaa pyaar

dukh ne dukh se baat ki, bin chithhi bin taar

Chhotaa kar ke dekhiye jeevan kaa vistaar

aankhon bhar aakaash hai, baahon bhar sansaar

Leke tan ke naap ko, ghoomay basti gaanv

har chaadar ke gher se, baahar nikalay paanv

Sab ki poojaa ek si, alag alag hai reet

masjid jaaye maulavi, koyal gaaye geet

Pooja ghar mein murati Meera ke sang Shyam,

jiski jitni chaakari utne uske daam

Nadiyaa seenchay khet ko, tota kutaray aam

sooraj thekedaar saa, sab ko baantay kaam

Saaton din bhagawaan ke, kyaa mangal kyaa peer

jis din soye der tak, bhookhaa rahay fakir

Achhi sangat baithkar, sangi badalay roop

jaisay milkar aam se meethii ho gayi dhoop

Sapnaa jharnaa neend kaa, jaagii aankhen pyaas

paanaa, khonaa, khojanaa saanson kaa itihaas

Chaahay Geetaa baanchiye, yaa padhiye Quraan

mera tera pyaar hi har pustak kaa gyaan

Every verse is loaded with all the religious philosophy that you need to live a full life. At 90, Intizasaab was here for the Rekhta event in the capital, and his zest for life was infectious. Similarly, when Fazlisaab used to recite his verses at poetic gatherings, they may be loaded with poignant meanings, but he was full of life.

Of course, there is the cliché that they would continue to live in their works, but who can deny that the void left by these creative souls can be filled. The only consolation is that while mourning their loss we can still go back to their writings. But it is poor compensation.

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